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Recently, I acquired a '61 spruce
Fleta from the Guitar Salon in New
York, which was very reasonably priced
due to several repaired cracks in the
top. Normally, I am put off by cracks,
refinishing etc., but this was such a
fine guitar, I had to buy it. Looking
at the number of great instruments I've
owned, it is strange to think that I
started with very little money,
contrary to popular belief and forklore
in the guitar community.
In fact, having started with
virtually nothing, I built up my
'portfolio' by buying and selling the
best possible guitars on offer, not
with the thought that one day this or
that guitar will be worth a fortune,
but because I really wanted to own and
play these great works of art. I have
always put my total energies into the
guitar, whether it be playing,
teaching, arranging or collecting, and
I have reaped great rewards from my
efforts in all these areas.
Obviously, my main interest has been
in Fletas, because I believe they have
more character than any other maker,
not only in their unique construction,
i.e. dovetail heel joint, nine-strut
bracing etc., but the sound ranging
from the responsive, almost brittle
spruce guitars of the late '50's and
early '60's to the more robust, full
bodied cedar guitars from the mid-'60's
onwards.
It is these qualities which I
endeavoured to demonstrate on my
Guitar
Romance CD.
These
albums were recorded by John Williams
with the '61 Fleta
These
albums were recorded by John Williams
with the '72 Fleta
Ignacio Fleta, the
Stradivarius of guitar makers, creates one
of his masterpieces in "I am a Guitar" by
Canadian filmmaker Alex
Hamilton-Brown.